Yeah, see I know of Gwendolyn Jensen-Woodard, and her Gypsy Audio, which has some fairly interesting stuff, but the production quality is
NO WAY NEAR what you'd find with We're Alive. Aside from that, she mostly puts out short stories and adaptations from folktales or OTR productions. Again, not terrible... but meh.
I think the real issue here has to do with relationships and 'insider' politics. Kc doesn't seem to filter through the niche audio drama community near as much as someone like, say, Julie Hoverson from 19 Nocturne Blvd. There is a little established community, and Kc, for whatever reason (jealously, most likely) does not seem to fit into it. And so, when they come up with their bullshit little awards, We're Alive gets the snub. It really has nothing to do with the quality of the product at all; it has to do with 'who you know'. This is really not fair, in my opinion, because, from what I've heard, Kc is more than willing to lend his time to whatever podcast or website wants to interview him or whatever, no matter how small the audience.
It's too bad these people have to act as they do. Why even bother nominating WA if they know they are just going to slam it anyway? This is just like in the 2011 Parsec Awards when We're Alive lost out to HG World for the long form audio drama podcast. Absolute fucking horseshit. And I don't think Cristoff has won anything for the Leviathan Chronicles, either, even though it is probably second among production quality and story in terms of current long-form audio dramas out there.
Anyway, Kc... don't worry about it. Just keep doing what you're doing and stay true to your vision. I wouldn't be discouraged just because you haven't been acknowledged by some piss-ants who haven't accomplished half as much as you have. Take solace in the fact that you've build up a smallish, but loyal fan base who has got your back and recognize your contribution for what it is--simply the best of it's kind currently out there. Not many other people have accomplished such a feat.
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