WOW! It's been a while since I've answered these. Sorry for the delay. I thought I was caught up. Ok, here we go...
We only do 2, left and right. I'm in a weird philosophical position that believes that anything over 2 channels is mostly a waste of time. I deal a lot with students who break their backs trying to do surround sound mixes, when they really should be spending more time on the audio content instead. If we were premiering in theaters I might say that 5.1 is worth it. I think that's what you were asking? Or if it's how many individual tracks we have in our sessions, it's about 60 more or less.
Right now, it's on target for 12.
I've seen that stuff, and it would be nice, but I don't think it'd work for what we do. There's a few problems with it. One, it's mostly headset designed, so anyone who listens on speakers is out. I think that includes cars too. Second, you have to record most every sound effect that way. At least that's my understanding. It's a really cool idea, but the production time and costs outweigh the benefits for us.
Yes, we can release the intros as ringtones, but we'd have to do a special contract to make that happen. So, give it some time and shouldn't be a problem.
The rain in season 1 where it was attacked... It's not exactly the same day, but they are close in that time period.
You mean "We're Alive" ?Just giving you a hard time
- Um, maybe. With the amount of time and $ that goes into this production, it would be quite an undertaking to do another without it being my primary occupation. There's a massive amount of time and effort that goes into the show and I would hate to start a new series without the energy to run another marathon like the one I've been running for the last 5 years. The stories for the next 2 series, or series of books, have rough outlines and some events detailed out, but what medium to tell the stories has yet to be determined. In the immediate time after WA, we will release the Burt book, but other than that, I'm not sure yet.
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