Quote Originally Posted by litmaster View Post
Hi Kc,

I apologize if this has been asked somewhere else already....
"1. How much do you pay attention / take seriously the comments made in the Forum regarding aspects of the story?"

I hate to say it, but very little, and with good reason. When writing chapters with the big picture in mind, it's hard for people to fully understand why something is happening when. There's a logical transition that has to take place for the events to unfold. Forest from the trees...

2. Does this kind of detailed feedback inspire you or intimidate you? Is is refreshing, or a pain in the ass?

Inspire. It takes a LOT of time and effort to write and edit this show and without feedback of people enjoying the show, it would be much more daunting. Publish Monday, sit back and enjoy reading people's feedback.

3. Do you worry about getting caught with your pants down regarding some factual inconsistency, or do you appreciate having an army of fact-checkers at your disposal?

It happens here or there, mostly with small details. The fact checking fans are often a little late sometimes since I write two chapters ahead, but I have been known to fix some things. Recently I called Liberty Park, Memorial Park. Oops. With two seasons of show already in the bank little details can sometimes be missed by me and the people who proof-read the scripts.

4. Have you ever changed aspects of what you were planning due to fan feedback? Any past examples?

The Liberty park thing is something I'll change, there was another confusing error regarding the floor number Datu was on at one event that has long since been corrected. Lizzy's eye color was changed after the role was re-cast, but the original quote from Michael was there and had to be changed. A few little things. Big aspects, no, because then I wouldn't be telling the story. It'd be someone else. It's not being stubborn, just that there's a story being told.

5. Do you feel that getting immediate fan feedback has made your writing / the story better?

Yes and no. I kind of explained that in the previous questions, but I can attest that the degree of people checking my every detail makes me have to spend more time making sure the tiny details are correct.

1. Which script format do you use? Does it resemble that of a traditional 1940's era radio play script, or more like a modern screenplay? Or something else?

I write using the screenplay format for films. Why? Because the old radio play script formats were for old radio actors, which don't exist any more. The more modern format of screenplay writing has been used by screen actors for a long time now and is a format that is widely used. Details aside, it's a much clearer format when it comes to reading for the actors. The pages are divided up more evenly amongst the lines and I feel a much more concise version of a script. Another reason, and possibly more selfish, is that I have been trained to write screenplay format. I've read scripts, revised them, and am very fast in how I can write them.

A Sample can be read here: http://www.zombiepodcast.com/forum/s...ULL-OF-AWESOME --- It's an old post but it has Chapter 1 to be able to be read in full detail.

2. I'm curious how you indicate / write in sound FX cues on the scripts. If I understand right, the actors do all the voice recording before the FX are dropped in, so they must be responding to various cues that they don't actually hear, but only see mentioned in the script... right?

I used to write in certain sound cues, and now I just write what happens and let the details of the sound design happen in the editing room. There are a few specifics that I write in, but most of the time it just explains the action of what's happening in the scene. The chapter 1 example is an early version of what I started out doing. Most of the script focuses on just what the actors say. As with any script, the descriptions of the scenes are kept to a minimum anyway. There are occasions like the Pippin death sequence that I had to use a LOT of description, but then again that was a very complex scene. When writing that scene I also kept things a mystery to anyone acting in the show as well and use terms like "The Killer" when describing the shooter.

3. To what degree do you use the script as a 'guide' for the FX you add in? You have so many sounds going on in the background, I don't see how you can possibly note all of that down in the script, so what do you do--just write the most significant sounds in the script and do the rest on intuition?

Very little is written in regarding the layers of sound Fx. Only significant ones. When editing the show, many times I don't even look at the script, because what's on the page doesn't matter to what was recorded. That way there's not such a stringent sticking to the script. Changing around lines and dropping them is easier when listening to the scene rather than a script.

4. Any chance of posting a page or two from one of the earlier chapters so we could take a look? I find it interesting to see a bit of script and then listen to the production again to see how the actors brought it to life... anyway, think about it.

Done above. Someone asked me a software question, and we use Final Draft. There are a LOT of tools in regards to formatting the script and also simple things like revision tools that make life much easier. Also, line and character calculation tools make things easier when dealing with figuring out royalties.