I'm just curious. What fonts do you use for the show like in the title and in the website...zom
Printable View
I'm just curious. What fonts do you use for the show like in the title and in the website...zom
1. What are the chances of a 10 year reunion of the cast for a 'We're Still Alive... Mostly' episode?
2. Do you ever have reservations about 'letting go' of a character to move the story forward or do you approach it from a very cool, calculated and clinical place?
3. Who is your favourite O.T.R. character?
That's hand written. It's not an actual font. Other fonts tend to be some sort of variation of Typewriter.Quote:
Originally Posted by ZeoBoku
1. There may be a possibility of that. We need to get through the series first.Quote:
Originally Posted by Satan
2. In some ways yes. I wouldn't want to have a character that you get attached to die in a meaningless way. It's a good thing we planned those things out a long way in advance.
3. Old time radio character? um... I don't really have one. I haven't listened to enough to have much of an opinion on it. I come from more of a film background-
1. How long does it take to do all of various parts of a chapter; write, record, post production?
2. For how long had you been planning to make WA?
3. What other media would you MOST like to see WA in?
4. If you weren't doing WA right now what would you be doing?
1. How long does it take to do all of various parts of a chapter; write, record, post production?
Write: Um... depends on the Chapter, but anywhere from 20 to 40 hours. That covers all the drafting stages, etc..
Record: 4 hours per chapter. (Sometimes more or less depending on if we have different makeup sessions)
Post Production: 20 to 30 hours per episode.
2. For how long had you been planning to make WA?
Till we're done. I was quoted with a year at the live event, but it's really until we're done telling the story at the end of season 4.
3. What other media would you MOST like to see WA in?
TV would be great. Some people love it in Audiodrama form, and that's what we write it for now. If we did something for TV, we'd write it for that too.
4. If you weren't doing WA right now what would you be doing?
Working on scripts, doing short films, it's hard to say.
I was watching the live showing of episode 1 & one of the actors (scratch?) mentioned you taking them into the other room to give them some extra info to influence their character and how they play a certain scene.
On the WND podcast, Jim Gleason mentioned not being told spoilers (ie, about Michael's arm or disappearance). I was wondering, how do you choose what to tell and what not to? Is it just a sake of letting them play the scene and if it's done contrary to character info they don't know you pull them aide?
Also, as a supplementary question, does the actor of the mole/traitor know they are the mole/traitor? Or are you just letting them play it in innocence?
Good question. It depends on what it is they have as a motivation. If the backstory or information influences how they interact in a certain scene, yes I will. Some of the info I didn't feel was necessary to tell Jim, but other info was necessary for Scratch.Quote:
Originally Posted by Magrat
Now does the traitor know who they are? That I'll leave for another day... Maybe save this one for when it's all over.
Brass
It seems to me that The Shooter did not take time to pick up the brass from the shooting. I also do not think they were talented enough to catch the brass.
I did not hear Michael or Angel mention it. No brass and we are looking for a revolver. There could be brass on the floor that Riley could pick up as she took over. What she does with it is unanswered.
*pushes up glasses*
Now Mr. Wayland sir, who is your daddy and what does he do?