For ages I've been wondering how the sounds for the Little ones were made, but haven't been able to find anything...Unless they're just tubberware shouting too :)
Would it be possible to shed some light on that somehow?
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For ages I've been wondering how the sounds for the Little ones were made, but haven't been able to find anything...Unless they're just tubberware shouting too :)
Would it be possible to shed some light on that somehow?
I also have a question:
Got any updates about how everything is going? And not just the writing...... Don't think we've heard from ya in awhile......
As of right now, no. The cast, like most casts when ending a show, goes their own separate ways and might be difficult to bring back together. Many of them live much further now. One day maybe, but as of right now nothing in sight.
Things are going great now, the holidays are over and TOWA continues to be written. It's becoming a long self-contained story, but there are a lot of elements from the main story that are in it. It will fill in some more blanks, while possibly giving a few new ?'s.
High pitched human noises, modified over and over :) It's sort of a trade secret at this point. Signature sounds so to speak.
Any more updates? I'm going to post more updates as we get further into pre-production. Until the script is written completely, there's not much to update on.
KC is the writing easier for TOWA since most of the lore was done with WA or do you find it harder after writing WA?
It's actually harder to write some things, easier for others. The hardest part is finding the voice for new people all at once. When I added a character to the old cast I didn't have to do it all at once.
And what do you mean the lore is done? :D
i am just wondering what we might see from wayland productions this year and if you can give us any hints on what your next project will be besides tfwa
Are you having a new cast for TOWA, or will we see some of our loved ones return?
If this hasn't been asked yet, are you making a Tales of Were Not Dead?
That'd be cool.
I think WND is pretty much dead, but I'm confident that Mick and Redbeard from the We're Alive Fancast will re-ignite the old engines once "Tales from We're Alive" hits the airwaves. And, in the meantime, if you're looking for some additional content, check out the fan-made WA tribute audio drama that the WA Convoy made last summer:
http://www.werealive.com/forum/showt...de+audio+drama
It's still posted on the We're Alive Fancast site. Just click in the link near the top that says "We're Alive Convoy Fan-Tribute Audio Drama". :nik:
Thanks Litmaster! I'll check it out soon.
Were Not Dead IS dead then...
😢
Holy Nexus, that shnikies is funny!
Puck wake up! You don't belong here Puck! Wake up!
Out-falcon standing!
I saw We're Alive as an audiobook in the iTunes Store, that's the same thing as the podcast right?
It just doesn't have the good stuff like the commercials and intros? And Michael Swan? And it's all in one big heap instead of individual episodes? And it's not a Wayland Production, it's only a Modern Myth Production? And what about Bob, he never leaves? AND I have to pay money for it?!?!?!?!
That wasn't the best idea.
Speaking of Modern Myth Productions, why did it switch to and from Modern Myth Productions during season 2?
Yes, There will be some characters from the previous series to make a cameo. How many or who, I can't say yet. Most everyone is a new cast for the primary story.
Yes, it's the same, but that's the remastered version. We go back at the end of the season and remove adverts, breaks between episodes, etc... It's a better version.
It still has Michael Swan as the announcer, and the end credits are all one big bunch at the end.
And since you asked twice about this, Modern Myth Prod LLC was when we switched from Wayland Productions for a small while, but then the costs of operating an LLC vs a DBA didn't seem feasible. So, MMP went away and we went back to Wayland Productions, and here we are now.
And I have no idea what you mean about bob and money for what?
Hey Kc!
It's been awhile since WA concluded.... did you ever get a chance to check out the AMC show "The Walking Dead"?
Really curious what your take would be (of course I'm way biased because I think WA is waaay better)
Lit
@Kc, I have two questions:
1. If you made this audio drama into some kind of video entertainment source, how long would it be? Would it be shorter because you can edit out narrations and sensory explanations? Or would it be longer because it needed more scenes for it to be at it's best visual state?
2. If you did actually make some kind of visual version of the series, would it be several long movies, or a tv series? Movies have a much bigger budget, but with how long WA is, you would need to make several sequels, not to mention, where would you find money to fund the movie? Bank loan? Fundraisers? TFWA profits (if applicable)? Aliens? These are all big questions here.
I don't mean to pull a Kalani, but the show is undoubtedly better than probably anything I've sensetorically (my own word there) digested, and I honestly feel that in any format, I would greatly enjoy it, no matter how many repetitions I've went through (7 and counting).
P.S. That was more than two questions, my apologies.
P.P.S. There we go, now this question is on the right thread. (Previously on the TFWA: Lockdown thread)
1. That's sort of like asking how long a movie is based on the book, but since it's script format it could potentially be translated in real time. Realistically the story could be much shorter without having to describe the actions and such. I'd say the fill in the blank sort of lines and descriptions can take roughly 10% of the time. So if directly translated, probably 10% shorter. If adapted, which is most often the case, even shorter maybe. You can montage things and really make things faster if you have visuals to establish rather than dialogue.
2. TV series would be best because of the type of story and also the overall amount of content. Movies run such a different format that it'd have to be heavily adapted. They're structured differently, so in order to maintain the arcs a lot of content and probably characters would end up cut from the series. How to fund something like that? I've looked into it and it'd be at least 1.5 million an episode, and 10 episodes per season. Where to get those funds? There's ways, but distribution platforms determine a lot of where funding comes from. Are we there yet? No, but maybe one day. Just waiting for the right deal to come along.
And no worries, if it was in TFWA section I would have answered it as if it was just Lockdown that you were asking about.
I did not. Working on Lockdown kind of prevented that. Any TFWA might do that, so still nada. At this point I'm not really that interested in seeing it.
Well, I only watch the show to rifftrax it, and to listen to one of my favorite t.v. critics, Jim and A. Ron from the Bald Move network.
You may be interested to know that We're Alive was mentioned by Jim in the latest episode of their "Watching Dead" (Walking Dead podcast). Jim makes the point that the characters in WA do a whole lot more sensible real world prepper things in the Zompocalypse than the WD dumbasses ever could. Here it is; you can skip to the comment at 121:42 in their episode player...
http://baldmove.com/watching-dead-podcast/515-try/
Hey @Kc, how do I get a sub-forum to post a fanfic? since nikvoodoo "runs" it, and he's not always online anymore, I asked you. I've been "working" on a really good piece, and I'd like to show it off.
Gracias and sorry for asking so many questions.
Have you ever considered televised advertisements?
Billboards?
Going door to door?
Haha.
Maybe a more appropriate option would be national radio.
What is the new release date since the summer of 2015 was not a reality?O_o
Lockdown has had some post-production delays for a few reasons, but we've been getting better on track, and the train is moving forward faster now. We ended up losing our editor very early on in the process, that then added major delays after that as it sort of de-railed our post production schedule. There are also other reasons we've had some delays, but that stuff I can't get into now. It's all good, but related to #outpost1 and #outpost2, which are two new physical locations for WA related things. Lots going on behind the scenes, which is why we've been a bit quiet as the post-production keeps moving forward.
We've considered all sorts of these options, but the reality is that they cost more than our operating budget. Hopefully in the future we'll see more advertisements for our programming, but as of right now it would require a lot of capital. Perhaps Lockdown will receive some sort of adverts.
ok thanks KC